In Hell, Blink director Tom Brett conjures a medieval vision where grief and desire collide 
at the edge of volcanic apocalypse. Built in 3D animation from sculpture, paintings, photogrammetric scans, and live performance, 
the film traces a nun’s descent into the inferno 
— a journey as much about love as it is about transgression.

All the visuals of Hell are physically built, either as already-existent architecture or hand-made sculpture, which are then scanned using photogrammetry and repurposed in virtual 
space. The result is a film whose every object 
and texture was captured rather than digitally created, and where the physicality of the animated environment hopefully feels as true 
as the performances within it.